Black History Month serves as a mirror of the prevailing political atmosphere, so in what ways can we modernize it?

It's Black History Month in the UK, and it appears it’s time for a re-evaluation. Over the years, an celebration that began as a celebration and reminder of heritage, traditions and links between Black populations worldwide, has adopted a corporate feel, broadening to incorporate gatherings where individuals of African heritage are paid to talk to predominantly white listeners about hidden biases and active solidarity. The 2020s Black Lives Matter protests generated a rise in the enterprise of displaying cultural sensitivity. However, that period has concluded. The tide has reached its height, resulting in a somewhat empty inheritance of what promoting consciousness is for.

The Background of Black History Celebration

Originally observed in the America and its northern neighbor, Black History Month was established in 1962 as an observance of African American heritage by Black scholar Carter G. Woodson with multiple days of remembrance and recognition in the February's second week. Black History Month grew out of this initiative and was officially launched in 1970. Now it is celebrated not only in the North America in the second month, but also in autumn in the United Kingdom, the Federal Republic of Germany, the Republic of Ireland and the Holland.

The period has evolved since that time, placing less emphasis on the narratives of the slave trade across the Atlantic and fights for racial justice, and greater focus on prominent Black figures in politics, culture, and activism, and broadly celebrating the contribution Black people have made to influence the nation. It is in educational institutions where Black History Month is most commonly celebrated, with talks and cultural events. But the way the observance is observed is a indication of the political moment. How it evolves is a valuable example in how appropriation leads to weakening: the restructuring of Black History Month has stymied the purpose of it, which is to tackle embedded and established prejudice.


A Disconcerting Period

Few things illustrate how critical it is to reevaluate Black History Month better than the current time in which it occurs this year. In the United Kingdom, a revitalized conservative movement in the form of the Reform political group is top in opinion ratings. In the summer we observed the most significant ultra-conservative gathering in the history of Britain. a prominent political figure, the person of color at the helm of the Tory party, is a firm opponent of anti-racism activism, and we are in a place where a elected representative feels emboldened to state that “not seeing any white faces” in specific city neighborhoods is a cause for alarm. At the same time, ultra-nationalist movements are expanding in Europe as a entirety.

In the United States, a significant offensive against DEI and affirmative action has been taken, repeatedly with positive outcomes, to the top legal institutions of the nation. A campaign to scrub Black history and experience from the archives is ongoing. One of the political figure's initial presidential directives focused on the institution dedicated to Black heritage, and the renowned cultural organization, alleging that they of a organized and extensive campaign to alter the country's historical narrative” by representing the nation “as naturally discriminatory”.

Given these circumstances, the month represents how insufficiently it can be influential if it is limited to either obligatory business commemorations, or depoliticized festivities of contributions in the past, rather than confronting the situation of the current era. It also reveals how its restricted time span means that it is disconnected from the broader ongoing work that is necessary. Denise Miller, a prof at a learning establishment, expressed it perfectly when she expressed apprehension about the fleeting superficial actions of the celebration. “The problem with adopting a symbolic stance”, she wrote, “is that it typically leads to that Black History Month evolves into a transient display rather than a driver of transformation.”


Reevaluating, Not Abandoning

Determining how to adjust, modify and expand actions for fair treatment and appreciation in such moments of dejection and worry is a difficult task. There is a urge to just do away with things like Black History Month completely, assuming they are simply not fit for purpose, or are remnants of an time that has failed to deliver.

However, regardless of the situation, Black History Month, and in fact the whole broad system and tradition of activism for racial justice – local anti-racism groups, diversity equity and inclusion initiatives, and yes, even those talks to businesses – represent an infrastructure that a lot of work has been dedicated to. It is there not merely to decline as the politics moves on (and in fact, regresses), but to be a dynamic entity.

So what would a fresh vibrant Black History Month appear as? To begin with, it would be not just one concentrated month: something that is distributed through the year (as certain organizations are already commencing), parts of its content (particularly around notable African descendants) included in educational programs. It would also be a time that does not avoid governmental matters, and leaves space for individuals, particularly youth, to express their concerns and stories. What purpose serves simple recognition of the past when it ignores the contemporary truth of extreme conservative demonstrations in the urban areas? Institutions who celebrate it should not be reassured with the neutral terminology of implicit prejudice and awareness of minor insults, but challenged by the dangers that affect everyone if anti-racism is not taken seriously. Briefly stated, Black History Month should be made up-to-date, pressing, and reactive. Maybe an complete renaming is in order – Present-Day African Heritage Celebration.

Rita Paul
Rita Paul

Aria Chen is a freelance photographer and digital artist with over 10 years of experience, specializing in creative visual storytelling.